Sunday, August 31, 2014

Vighn-esh


The Ganesh festival is getting flabbier year after year. The idols are getting huger (and more misproportionate and unwieldy); more groups of ‘devotees’, quaintly called ‘friends associations’, are jumping on the bandwagon of having their own humongous idol and shamiana and everything else the rigmarole entails; more roads and more of each road are obstructed by idols, scaffolds, decorations, stalls and visitors; lots more greasy food and plastic utensils create lots more garbage and litter; many more impressionable individuals are exhorted to uphold their traditions (in many cases traditions adapted from others’); and many more individuals from outside the fold feel out of place. Small-time politicians and thugs crop up in all their lurid splendour on plastic banners all over the city wishing everyone a happy Ganesh Chaturthi.

The remover of obstacles is, ironically, the epicentre of obstacles. In a mad race for a demonstration of “mine's bigger than yours”, idols and set-ups are expanding every year. Each customarily huge idol adds a token unit (foot/inch) annually. The foods dedicated to the idol add a few (hundred) kilograms annually. The garments woven for the idol add the mandatory units decreed by the expansion in the idol's dimensions.

The eco-friendly wave, which seems to have percolated to a modest extent into educated middle class households, is far, very far, from the huge community dos. The idols are made in all their toxic glory miles away from the city. They are then transported in trucks of different sizes that need to make their way through tortuous lanes to place the idols in various hard-to-negotiate nooks in every little basti in the city. This journey can hold traffic up for hours with the crown/headgear of the idol engaging in tussles with electric wires and poles along its water-logged path (the rains are a faithful companion of the festival, and water-logged, pothole-ridden roads a faithful companion of rainfall in the city). Once the idol is established on its temporary throne, the lights, littering and noise begin. Music, dancing, movies and contests whose contents bear no obvious relationship to the festival abound for the next few days. Then comes the dispersion brouhaha. Trees are pruned to let idols pass, cranes are ordered, and then pavements broken and rebuilt every year at public expense, to ceremoniously contaminate the waterbodies in and around the city.

The effort and expense that go into all this is depressing. The plants that are mandatory in the performance of the puja are decreasing in, or worse, disappearing from, the wild. Couldn’t ‘friends associations’ and politicians wishing road users a happy Ganesh Chaturthi take up the task of growing these plants and preserving water bodies? Couldn’t governments set a nice low cap on the size of idols in community gatherings? Couldn’t plastic banners be banned or at least made expensive enough to pay for their safe (read least toxic) disposal? Why don’t communities restrict idols to temples, homes, and ‘function palaces’, and stop blocking paths for days on end with these celebrations? Why do ritual prayers need to be amplified? Who needs to hear them other than the people on the spot for the puja, who can hear them without the amplification anyway?
Can raucous celebrations for ten days make up for the regular obstacles, such as dirty roads, burning garbage, non-existent or blocked drains, and no greenery? Couldn’t the donations collected every year finance one or more initiatives useful in the longer term instead of being squandered in a few hours of crappy songs, greasy food, and half-understood slogans? It is a sorry situation that the role of the lord of obstacle-removal is mostly restricted to being the lord of obstacles.